The Dichotomy of Trial: Resolution Through Art Form

by Gary Gwilliam on January 5, 2010

Part 3 based on my Plaintiff magazine article “Trial Lawyers: Actors or Boxers?”

Theater-Studio of Oleg Tabakov presents premiere of Beaumarchais's Marriage of Figaro


Are trial lawyers preparing for battle or stage when they go to trial? Many fine trial lawyers still envision trial as battle. I am guilty of talking about “still having a few rounds left in me” at this late stage of my career. If you are going into battle you have to be ready: Energized, fired up, ready to throw a few punches and take a few hits.

Q: Isn’t that a good way to prepare for trial? Or is it stressful and counterproductive?

Trial as Sport: Stress and Conflict

  • Stress and Conflict: we are in a conflicted profession full of stress and conflict and this wears us down
  • Drain: constant stress and conflict takes away our energy
  • Health: loss of energy through this conflict compromises our immune systems
  • Ultimate Conflict: if you visualize yourself as bruised and battered after each round, then trials become exhausting and you don’t perform at your peak

Trial as Art: Resolution Through Relaxation

  • Resolution: is possible by deciding the best and most effective way to try a case
  • Relaxation: if you are more relaxed and at ease, your energy will stay strong
  • Fear: you also have less fear and that is very important to effective trial practice. Actors don’t need to fear being bruised as boxers do
  • Efficiency: by changing your thinking from “trial as sport” to “trial as art” you are more efficient, less fearful and ultimately more successful
  • Enjoyment: looking at trial as a art form is a lot of fun

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